Madeleine L’Engle: Awesome or Annoying?

I just finished re-reading Meet the Austins by Madeleine L’Engle, and I definitely revisited some of the great, warm-fuzzy moments of L’Engle’s books. Like, there’s the kind, sage grandfather, who lives in a converted stable surrounded by books, with wonderful poems painted onto the walls. And the home life described is wonderfully rich, with Mother cooking something delicious, and Bach playing on the phonograph, and children being terribly interesting, and all of that.

But then, there’s the other side — the side I find hard to bear. At some point in every L’Engle book, one of the characters — usually a child, who is terribly mature, will turn and say, “Isn’t it wonderful that we have such a nice family? And isn’t Mother so wonderful? And how nice, that in our very special family, the young sensitive child is valued, and  we appreciate God and we sing hymns when the power goes out, and everything is so terribly real — not like in other families? Yes, isn’t it nice that we are all so much more cultured, individualistic, close to our humanity and so on than other people who weren’t lucky enough to have this wonderful family?” …and so on.

Yes, it’s that part I find a bit hard to bear. And over the years, I’ve found there’s a bit of a club — the smart girls who devoured L’Engle when they were children, but who just can’t quite like her now. As my friend J. once said of the characters in those books, “Yes, they’re all a bit too…special. A bit too smug.”

That’s it: smug.

You see, children want to feel loved and accepted and appreciated for their own special selves, and as the reader of one of these dramas you are, in effect, the unofficial sibling to all the characters in these books. So when the young children in the books say —  in a way I have never heard any actual child speak ever — “Aren’t we lucky to have this perfect family with pot roast in the oven and singing and a lovely mother who calls me Megatron?” then you, as a child, sigh and say, “Ah yes, I would like that.” Because children really like things to be nice and pleasant and functional, and they’re more attentive about the pot roast, less so about the exact method of pot-roast delivery, as it were.

But for adults, seeing an adult who is so very self-congratulatory about it all — especially if they are self-congratulatory about how very enlightened they are — well, it’s just like nails on a chalkboard.

That said, Madeleine L’Engle books were such a thorough part of my childhood that they’re now, for all intents and purposes, part of my DNA.

And so, in honor of the good things I’ve gotten from them, here is a lovely poem which I first read in the Austin series, and whose phrase, “replete with very Thee” has stuck with me (inaccurately) through the decades.

The internet has some discussion on the proper author, so I am just going to quote the poem:

If thou couldst empty all thyself of self,
Like to a shell dishabited,
Then might He find thee on the Ocean shelf,
And say — “This is not dead,” —
And fill thee with Himself instead.

But thou art all replete with very thou,
And hast such shrewd activity,
That, when He comes, He says — “This is enow
Unto itself — ‘Twere better let it be:
It is so small and full, there is no room for Me.”

Dear Professor: A Letter from Post 9/11 New York

When I was in college, I had this amazing professor named John Stilgoe. Stilgoe’s classes taught you how to look at the world. We examined cities and towns, train stations and shopping malls, billboards and magazines, trolley tracks and cereal boxes. After his class, I looked at everything with new eyes.

Stilgoe often talked about unlikely disaster scenarios. “What would you do if the country shut down, and you had to get back home? What if the roads were closed? What would you do?” At times, he seemed a bit odd. A bit out there.

Then 9/11 happened. So. Not so “out there,” after all.

The following is a letter I wrote to him in early October of 2001.

This September, as we turn to the possibility of yet another Middle Eastern war, my thoughts and prayers are with those still suffering the after-effects of 9/11 . . .

…Which is most of the world.

 

October 9, 2001

Dear Professor Stilgoe:

How are you? I am fine, if you put fine in quotes (“fine”) and take it to mean, uninjured, without any personal losses. Which I am…

I’ve thought of you a lot these past few weeks — suddenly everyone seems to remember that the interstate highway system facilitates troop movements, and all kinds of infrastructure debates — which never happen in normal times — are on radio and tv and the news. This would certainly be a time I would enjoy sitting in on one of your classes. I think I would hear something different than everything else I hear around me.

Things are completely surreal here, and since every day of news brings with it not a fading into memory but a renewal of anguish and fear, I, like many of my friends, have taken to avoiding “news” (propaganda?), or at most, looking at it guiltily. Every time I look I feel worse, and I berate myself – “Why did I do that?” I knew I would feel worse afterwards!”

On Sep. 11th I saw the second plane crash in, looking from my lovely expansive view up in Brooklyn. Throughout that afternoon came a slow, steady stream of refugees from the financial district, each with their own story to tell and faint white coatings of ash on their shoes and hair. Like they’d had a sitcom-style baking accident. 

In the grocery store I met a man who was a businessman from L.A., and had been staying in the Marriott across from the WTC. I ended up taking him home with me, to my tiny 11 x 18 studio apartment. At the time I felt like I was doing him a favor, but it was really a favor to me, too. We stayed up that night and, too wired to sleep, we played gin rummy till 3:30 in the morning. Then the next day he rented a U-Haul (all the cars were rented), and drove it to St. Louis before finally being able to catch a plane.

But that whole thing, that happened four weeks ago, seems like an epoch ago. Each week is like its own discreet era. Like, “I remember when we didn’t know if bridges were going to be hit next,” or, “I remember when the country was in mourning, but we hadn’t retaliated militarily yet,” etc. I feel like I’ve lived a year for every one of the last four weeks. I guess that makes me 30 now.

I’m writing this at work, but I’ve given up on trying to concentrate for more than 10 or 15 – minute snatches. It really is too hard. And every day I find out someone else I know has been devastated by some unendurable loss. I feel completely at a loss as to what to say, but then . . . 

Well. I’m still making art, poetry and song. This helps. The only drawback is it helps whatever I’m feeling then — and what I’m feeling keeps changing drastically, as world events change.

I hope that you and your family are continuing as well as could be expected, and that the alumni of your classes are unharmed.

I wish you well,

– From New York, where, in the midst of everything, I am surprised to realize that something as mundane as the mail is still functioning normally,

Sofia Echegaray

P.S. it still smells like smoke here.

‘The Least of These’ Are Our True Teachers

The first step to healing our broken world is to find the teachers who will lead us. For too long, we have looked to the blessed to teach the unfortunate. It is the other way around.  The holders of privilege may be partners in this struggle if they choose. But they are not our teachers.

If we want to learn, we must turn to those who have something to say.

We must turn to the landless, the dispossessed. Those who have learned, over the course of generations, to weave the ties of their culture through song and story, rather than through land…

They are our teachers now.

We must turn to the sick, the powerless, and the weak — those who have always had to find their own success and happiness through means other than brute force…

They are our teachers now.

We must turn to the insane and the mentally ill — all those those who cherish as a gift any day in one’s right mind. All those who know first hand the truth; that there is no Heaven or Hell, but what the mind makes of it…

They are our teachers now.

We must turn to the women of the world, downtrodden for countless generations, yet still the first to give love, kindness, and compassion.

They are our teachers now.

We must turn to the children of the world, who see with clear eyes what is right, before the world teaches them to doubt…

They are our teachers now.

We must turn to the elders of the world, who can help us embrace the best of the new, while holding tight to the best of tradition…

They are our teachers now.

We must turn to the sensitive, those who have a damaged response to a damaged world. Like the canaries in the coal mine, they offer a warning that is important for us all, if we wish to survive…

They are our teachers now.

We must turn to the castoffs of the world – the throwaways – all who have been made to feel it would have been better if they had never been born. They know better than anyone the value of kindness and inclusion…

They are our teachers now.

For years, those with money and privilege have turned to the poor and said, Learn from us. But I say to the wealthy, humble yourselves before the poor, and learn from those whom you would cast aside. Let those who have gone before you in suffering help lead the way to the end of suffering. Let us all learn from those who, in the face of hardship, have somehow managed to keep their own small flames alive.

How to Be a Grownup: Miss Manners on Saying “No”

I’ve always loved Miss Manners, ever since college, when my friend Joel Derfner declared himself a fan.

“Really, Miss Manners?” I asked.

“No, you don’t understand,” he said. “She’s really quite witty, and she has excellent advice. For example, she says that if someone points out some flaw, like a hideous mole on your face, you should say, How very kind of you to notice. And if someone totally overshares with you, then you should say, How nice for you. Isn’t that great?!” 

I wasn’t sure about these methods, until a few weeks later when a classmate came up breathless to me in the dining hall:

“Guess What? I’M ON THE PILL!!” she announced — and very loudly, I might add.

Although flabbergasted by this announcement, I was still able to stammer out a response:

“How nice for you.”

Then I saw Miss Manners’ genius.

One of my absolute favorite pieces of Miss Manners’ writing is when she explains how to say “no.”

Here’s the text, excerpted from Miss Manners’ Guide to Excruciatingly Correct Behavior:

The ability to say no politely is an essential social skill. All that is really needed is the ability to repeat “No, thank you,” interspersed with such small politenesses as “I’m so sorry” and “You’re kind to ask” and “I wish you luck.”

Elaborating is what gets people into trouble. Excuses that are false are traps one sets for oneself, but even true excuses encourage the audacious to argue: “Can’t you do that another night?” “One little piece of cake isn’t going to kill you.” “But this helps more people.”

Yet most people can’t help blabbing on to soften  the “no,” which is apt to be so softened as to give way. So here is a small sample of supplementary sentences:

“I’m afraid I’m not taking on anything else right now.”

“Sorry, I never discuss my finances.”

“I’m sure it’s wonderful, but I’m not going to have any.”

“We never go to balls, but we’d love to see you privately.”

“I’m so sorry, but that’s not something I can help you with.”

“If you care to send me written material, I’ll get in touch if I find it interests me.”

“I didn’t realize what this involved, and I think I’d better bow out.”

And the ultimately correct, no-excuses refusal:

Dr. Peony Wilson

regrets that she is unable to accept

the exceedingly kind invitation of

Mr. and Mrs. Popinjay

for Saturday, the first of June

Dark Matter: Tips for Musicians

If any of y’all play guitar and are interested in learning to play Dark Matter, here are some tips.

The fun thing about playing this song is that while the guitar part sounds hard, it’s not! (Hooray for lazy musicians!)

Actually the hardest part is retuning the guitar to this funky tuning:

C# C# C# C# G# C#

Note: This tuning is never going to be 100% in tune, so just give it your best shot. The strings stay in tune better after about half an hour at this tension.

The first chord you hear on the song is open, in other words:

C# C# C# C# G# C#  == 0 0 0 0 0 0

Then I slide two fingers up and down the neck, so for example:

0 0 0 9 0 9 –> 0 0 0 10 0 10

0 0 0 9 0 9 –> 0 0 0 10 0 10

0 0 0 9 0 9 –> 0 0 0 10 0 10

0 0 0 9 0 9 –> 0 0 0 10 0 10

0 0 0 9 0 9 –> 0 0 0 10 0 10 –> 0 0 0 12 0 12

etc. on down the neck

Hope this gives you the tools to start!

 

Fun Music Nerd Facts: 

This is the tuning used on Joni Mitchell’s “Carey” — which is where I learned it —  and CSN’s “Suite: Judy Blue Eyes,” among others.

Apparently, Dark Matter is in Dorian mode. Who knew? I only figured that out last night, years after writing the song. (Actually, it’s in C# Dorian – which is slightly perverse but there it is).

Also, if you’re not a music nerd, don’t worry if you don’t know about things like modes. Reading music, knowing music theory and all that stuff is helpful for some, completely irrelevant for others. This guy only recently learned how to read music, and he’s . . . oh . . . just the best guitarist in the world.

An Even Higher Level of Nerdvana

I am honored to say that my song “Dark Matter” has been featured on another episode of Neil DeGrasse Tyson’s Star Talk Radio. My geek cred has just gone up exponentially.**

The new episode is Cosmic Queries: Dark Matter and Dark Energy. Full of all sorts of geeky goodness, including Dr. Who references, and Neil explaining why Dark Matter should really be called “Fred.”

————–

** So exponentially, I want to write a function for the increasing slope of my geek cred.

Web Hyperbole Conversion Chart

Lately, I’ve noticed that every outlet on the web has resorted to Crazy! Amazing! Magnificent! titles to get readers’ attention. Every single link I see on Facebook is “The Most Amazing Thing You’ll Ever See!” and it’s, like, a panda farting or something.

If we use the word “amazing!” to mean “just ok,” then how do we know something really is “mind-blowing,” “world-changing,” etc.? What we have here is Awesomeness Inflation. So maybe a sort of conversion system to regular currency of human interest would help:

“Most Amazing News!”……………………………. common knowledge to anyone not living under a rock

“Incredibly Mind-Blowing!”………………………slightly more interesting than watching paint dry

“Shocking News about Your Health!!”…………………..apparently, fruits and vegetables are good for you

“This Will Change the World!”………………..some rich guy made a video about poor people, but didn’t give any money to them

“So This Happened.”……………..incredible; will blow your mind

—-

Props to Wil Barbour for funny contributions.

By Sofia Echegaray Posted in Funny

Disappearing Packaging

A while ago, I posted about my pet peeve: excess packaging and waste.

Here’s a man after my own heart. For his senior thesis at Pratt, he re-imagined products with better packaging. Not only are the designs creative and fun, but they would also save the companies money if implemented.

Here’s the link.